It seems Wall Street still needs Abulinix as the roller coaster continues. Some may argue that Thursday’s flurry of Words is just as schizophrenic. We run the gamut from religion to the late great Townes Van Zandt. We beg the question, just how did George Eliot become an early Zionist? A Marxist goes to bat for Jesus. The New Republic questions the strength of Brad Gooch’s understanding of Flannery O’Connor’s Catholicism. The Telegraph takes on Steve Earle’s highly anticipated album Townes. Excitement in the CanLit scene. And in the “In Case You Missed It” department, a dirty, clean interview with a writer who insists he never wanted to be one in the first place. — Andrew Geer
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–Through portraits of a few carefully chosen Victorian figures, and with the aid of a deft prose style, acidic with irony, Lytton Strachey, in Eminent Victorians, set out to squelch the Victorians. He mocked Victorian earnestness, debased Victorian energy, and lacerated what he took to be the essential hypocrisy of the Victorians and their pretense to an elevated spirit leading on to good works. The immediate effect, lasting for decades afterward, was devastating. — George Eliot’s Jewish Odyssey in The Weekly Standard
– “An atheist who believes in God!” snarls a reporter to the Clarence Darrow character in the play and the film “Inherit the Wind,” the fictionalized account of the 1925 Scopes Monkey Trial. The cynical scribe would have been just as astounded to meet Terry Eagleton, a Marxist who believes in religion. – Terry Eagleton in The Boston Globe
– “I am one of those people who could die for his religion sooner than take a bath for it,” Flannery O’Connor wrote during the spring of 1958, after her rich Savannah cousin Katie Semmes had paid for a pilgrimage to the healing waters of Lourdes for O’Connor, who was suffering from lupus, and for her mother, Regina. O’Connor managed to pare down the original itinerary, eliminating Dublin (I bet that’ll be real sickening”) and “Baloney Castle” (as she insisted on calling Blarney Castle in Killarney) from the original tour package. Not wishing to disappoint her ninety-year-old Cousin Semmes , O’Connor lined up early for the sunken marble pools at the famous grotto, put aside her crutches, and reluctantly submitted herself to the “medieval hygiene,” later writing to Elizabeth Bishop that “the supernatural is a fact” at Lourdes, “but it displaces nothing natural; except maybe those germs.” — Flannery O’Connor in The New Republic
–As Steve Earle tells it, he was just 17 when he met an artist and performer who would mold the shape of his career. The teenage Earle was singing at a club in Houston, Texas, when he was teasingly heckled by an older man in the audience who asked him to play the song Wabash Cannonball, and told him he wasn’t much of a country singer if he couldn’t. — Steve Earle in The Telegraph
“Poetry readings do not usually command an audience of this size,” remarked Scott Griffin, chairman of the Griffin Trust For Excellence in Poetry on Tuesday night. But this evening was different. We were, he said, about to hear some of the best poetry in the world from some of the world’s best poets. A sold-out audience of 800 people — including a who’s who of theCanLit scene — had gathered at MacMillan Theatre on the University of Toronto campus to hear the finalists for the 2009 Griffin Poetry Prize, which will be handed out Wednesday night at a gala ceremony in Toronto. — The Griffin Poetry Prize in The National Post
– It’s a farce, people. Let’s get that much straight from the get-go. Leave your literary pretensions at the door. The Guardian compared Vernon God Little to South Park. Entertainment Weekly referenced filmmaker Wes Anderson’s Rushmore. Clearly something about the novel begs comparison to other forms of entertainment media. Maybe that explains why some reviewers just don’t get it; a select few have been downright nonplussed that this misfit of a book somehow could have earned the 2003 Man Booker Prize. Vernon God Little is not your typical literary prizewinner. No wonder, really. DBC Pierre isn’t a typical novelist. — DBC Pierre at Powell’s Books
Video of DBC Pierre, The Last Aztec Pt. 1
